Get it wrong one way, and control settings can change with the least jostle, bump or errant brush of a pinky. In the case of the RX1, rolling shutter artifacts are clearly present, but nowhere near as bad as we've seen with some cameras. On Sep 2016 Sony increased the price of RX1R II camera to $3,898, but today after $600 price drop the camera is available at $3298. As a result, I think a lot of my pleasure in using the Sony RX1 came down to its ultra-configurable user interface. Even on the compressed YouTube version, though, the moiré is obvious. Yes, it's real: Sony shoehorned a full 35mm-sized sensor with a fast 35mm prime lens into a nearly pocket-sized camera called the Sony Cyber-shot RX1. Grab a copy of Sony RX1R II camera now – B&H Store | Amazon.com We even tried having him stop in front of the camera and waiting for the AF to finally catch up, but it did so only very occasionally. The Sony RX1, whether it's for you or not, answers a sincere desire in the marketplace for a return to that full-frame sensor size with excellent quality optics in a very small package. The thumbnails above link to the full-sized shots if you click on them and want to analyze them yourself. by Dave Etchells, Shawn Barnett, Mike Tomkins, Zig Weidelich and Dave Pardue Hands-on Preview and Walkthrough by Shawn Barnett Posted 09/12/2012. Shooting with the camera, it was just amazing to me that I could shoot wide open at f/2, and not feel that the large aperture was in any way compromising the quality of my images. A few in the press room at launch barely stifled a few guffaws at the price, because up to that point we'd been thinking it compared to the RX100, which comes in at a high $650 relative to its pocket competition -- but not that high. I wish this last were otherwise, but the demands of modern autofocus mean there's just no way a focus ring could be direct-coupled and have the buttery smoothness of old MF lenses without auofocus being unbearably slow and power-hungry. As we often say, Nikon's more conservative approach to noise suppression leaves behind slightly more noise, but at the same time preserves more subtle image detail. Going to 3 megapixels, you can crop away 7/8 of the frame, and 99% of your friends still won't be likely to notice. Let's just get that out of the way at the beginning, so you won't wonder where I'm coming from. Before the Sony A7, there was the RX1 (and the AA-filterless RX1R version), Sony's first foray into the combination of a full-frame sensor and a small, highly portable camera body. The camera's premium quality is … If it bothers you, you're going to have to give up some sharpness to get rid of it, since the only cure is an image with less high-frequency detail. However, AF-C is still the default for video shooting (as noted, an AF-C indicator appears on the LCD screen in movie mode), so perhaps it was just a matter of not being able to maintain still-resolution focus accuracy, and the feature worked fine for video recording. Sony engineered the body and optic so tightly around the large sensor, they say there was no way to make it an interchangeable lens system. I really liked the added info, compared to just having the camera produce the adjustment with no added information. So I went ahead and assigned my own functions to them, where with another camera I might not have bothered. This is a feature that is just starting to appear on higher-end video-capable still cameras, but video is clearly not the focus of the RX1. MPEG-4 1,440 x 1,080 recorded at 30p on NTSC models, 25p on PAL models; VGA is 30p regardless of region. To make it easier to see the problem, as well as to demonstrate that it wasn't caused by our lighting, senior tech Luke shot two images within less than a minute of each other -- one with the camera positioned grip-up, the other with it mounted grip-down, pointing at the same target. RX1. Sony introduces the world’s first compact digital camera with a 35 mm full-frame sensor With its pro-level image quality, comfortable dimensions, and timeless design the RX1 series presents a compact camera with infinite possibilities. Absolutely gorgeous printed images across the entire ISO spectrum. But before you feel chagrined, note that the price of this 24-megapixel, full-frame, fixed-lens compact camera is a comparatively high $2,800. Another possible workaround is to use a small aperture if the extra depth of field and longer exposure aren't detrimental to the shot. In my opinion, the RX1 gets this just right, but if you feel otherwise, it's easy to make fairly fine-grained adjustments to saturation and contrast in each of the Creative Style settings. Test Notes. You can't view images and video in sequential order; you can either view photos or video, but not both. A Movie record button appears far right of the thumb grip, an odd placement, but one at least unlikely to be activated by accident. Sliding the flash release right pops up the flash. Fixed-length lens limits shooting flexibility; Some exposure bias, color shift, moire and video AF issues; Viewfinders (optical or electronic) only available as optional accessories; Extremely expensive for a compact camera. Last year you shared a video . Sony RX1 R II camera finally discontinued by a Swedish retailer, it’s a kind of silent confirmation that Sony is clearing up the stock pipeline for its next Fullframe Compact Camera, Sony RX1 R III announcement. Having the images inverted next to each other makes it relatively easy to see the subtle differences between them in their unmodified state, but the saturation-boosted versions don't need any close juxtaposition to see the differences. So last week I published a review of the new Sony 35 1.8 Lens from Chad Wadsworth. Say what? Well, almost. (Note how sharp the background detail remains as he approaches the camera and passes in front of it.) Beyond its basic picture-taking chops, the Sony RX1's broad array of scene modes and custom filter settings enable a lot of creativity in-camera, while special multi-shot modes like Handheld Twilight and Sweep Panorama expand shooting opportunities in genuinely useful ways. The Verge‘s RX1 verdict — shooting like a pro with a pocket-sized camera:. It takes a sweet lens to do justice to that 24-megapixel Sony sensor, but Sony certainly has stepped up by making it an 35mm f/2 Carl Zeiss Sonnar T*. Ultimately, it all comes down to the pictures a camera can deliver, and the RX1 delivers in spades across the full spectrum of lighting conditions and subjects. At 1,440 x 1,080 pixels or below, the RX1 still uses MPEG-4 AVC / H.264 compression, but abiding by the Main Profile type. The Sony Cyber-shot RX1R II has the same permanently affixed 35mm F2 lens as its predecessor, but it is backed up by almost completely new internals, including the same 42MP full-frame sensor and autofocus system as the Sony a7R II. Though it's priced too high to compare to the Olympus Stylus, the Sony RX1 is aimed at a more serious, well-heeled set of photographers -- the pro or serious enthusiast looking for a high quality camera that's also easy to bring along. A separate lens ring is used to switch into macro-focus mode. The Sony Cyber-shot RX1 is the World's first compact camera with a full-frame sensor and fixed lens, and uses the same 24.3 megapixel sensor as the Sony … Sony Cyber-shot DSC-RX1R II sensor review: Take two Introduction Specifications and Features The Sony RX1R II is the not-unexpected update to the 24-Mpix RX1R. Alternatively, you can compare the Sony RX1 with a manual-focus Leica M, at $7,000 for the body and around $3,000 for the 35mm f/2 Summicron M lens. The D600 completely loses detail in the pink swatch, though. While we exercised its various white balance options in the lab, in my personal shooting, I rarely if ever felt a need to use anything but Auto. The Sony Cyber-shot DSC-RX1 is the first ever compact camera with a 35mm full-frame sensor. Sweep Panorama is probably familiar to everyone by now; you can capture a panoramic shot by just holding down the shutter button and "sweeping" the camera in front of you. We didn't initially pay much attention to the Sony RX1's focus tracking, as it wasn't highlighted as a particular feature, nor was it one that would have much impact on our own use of the camera. We strongly suspect this is the case; we checked two samples, the one Sony sent us to test, and one that senior tech Luke purchased for himself at retail. The Sony Cyber-shot RX1 is the only compact digital camera with fixed lens with a full-frame sensor, have a look at our sample photos from this premium camera. And finally to the view photographers will see most often, the back, which reveals the bulk of the Sony Cyber-shot RX1's controls. Sony said a lot of effort had been put into the Carl Zeiss lens to make it small while maintaining exceptionally high quality worthy of the 24-megapixel full-frame sensor. When scrolling back through the files, it will appear to have skipped right over the video files you just captured. So, with the advent of this technology, Sony does not need to release two versions of the camera, such as the RX1R/RX1; instead, it has a single version, the RX1R II. As we stated in our overview of the RX1, continuous AF (which is only available in video mode) is virtually useless. You have to remember; "Oh yeah, that control says WB, but I've actually reassigned it to metering pattern." Be sure to rotate dial to this mode in order to use the full range of exposure modes for video recording. See our Sony RX1 Video page for sample videos and more details. Do all RX1's show the same behavior? And regardless of the shooting mode you're in, the array of highly configurable buttons mean your most important settings are always just a button-press away, letting you concentrate on shooting rather than menu navigation. Menus and operation reminded me of the RX100, and autofocus and shutter lag were quite snappy. There are plug-ins out there to fix rolling shutter when editing your footage on the computer, but software correction is not a surefire solution. ISOs 50/100/200 images create stunning 30 x 40 inch prints, and capable of excellent wall-display prints up to 40 x 60. The result is a remarkable lens in virtually every aspect: This is by far the highest optical quality we've seen from any full-frame lens of equivalent focal length, including 35mm primes costing $1,500 or more. (OK, if it were up to me, I'd probably make them just slightly less stiff, but they're really fine as they are.) Material on this site may not be reproduced, distributed, transmitted or otherwise used without the prior written consent of The Imaging Resource. Whether it's due to its extraordinary lens, or to a weaker low-pass filter, images from the Sony RX1 are noticeably sharper than those of its translucent-mirror big brother at low ISOs, and significantly so at higher sensitivities where better noise-reduction processing could be playing a role. The Sony Cyber-shot RX1R II is the latest in the company's line of compact, fixed-lens full-frame digital cameras. I see a lot of cameras in my job as publisher at Imaging Resource, so it takes a bit to get me excited about a new model, but the Sony RX1 simply blew me away from the moment I set eyes on it. Like much of the DPReview staff, editor Barney Britton is a self-proclaimed super-fan of the 35mm focal length. Sony recommends use of at least a Class 4 Secure Digital card, or a Memory Stick Pro Duo Mark 2 / Memory Stick PRO-HG Duo card to avoid issues with write speeds during video capture. (The D800's sensor is made by Sony's sensor division.) 1080/60p video recording; Wi-Fi with NFC; Though the RX1R II bears more than a passing resemblance to its predecessor, there are a lot of changes. 11 x 14s are quite usable with some minor softness in some areas and a mild film grain look in others. This does produce sharper-looking images, but as they say, there's never a free lunch: The low-pass filters were there for a reason, which is to reduce various forms of aliasing. If you're that type of shooter, you'll be happy with the RX1's uncompensated exposure choices; if you're not, just dial in +2/3 EV of exposure compensation as your personal default. While the RX1 offers more configurability than most cameras, that by itself doesn't explain why I took such advantage of it, let alone so quickly. Test Notes. We think that people interested in shooting sports or video will likely be attracted to other cameras in the first place. It features the same 42-Mpix full-frame CMOS sensor as the Sony A7R II, paired with the familiar Zeiss 35mm f2.0 Sonnar lens first seen on the RX1. The result was a huge improvement in my shooting experience. ... With the RX1, Sony fused these two polar opposites in a collision of photo-epic proportions. Sweet indeed! On the Sony RX1, only the "up" direction of the four-way controller is labelled (DISP), and that's the function it always has. The RX1 snaps dozens of shots, and stitches slices from each into a surprisingly seamless panorama. I won't go that far myself, but I do think $2,800 is a fair price for what you get. Image Quality improvements don’t just come down to photo quality but video quality as well. Better Dynamic Range & Color depth are also part of the benefits. Going up against the Sony A99 (which uses a variant of the same sensor), coupled with our very sharp Sigma 70mm f/2.8 lens, the Sony RX1 is noticeably sharper, particularly in the mosaic bottle crop and in the pink fabric. We bring this up, of course, because we found evidence of aliasing in the RX1's images, in both still and video captures. The table above shows thumbnails of original images displaying the problem, as well as versions of the same shots that had their color saturation boosted by 100% in Photoshop to make the color tinges obvious. It's also worth noting that there is no headphone jack for monitoring audio, either. The Leica also has a full-frame sensor, a fixed length lens (28mm rather than 35mm) and a compact type body. At least for the sort of photography I'm interested in, the positives vastly outweigh the few negatives. (The conditions where it failed completely were a little different than those seen below, in that surrounding trees cast shadows on the subject as he moved through the scene. While the RX1's EVF is better than many, it still blows highlights and plugs shadows, making it difficult to compose shots where there's significant subject detail in either. It's a close contest compared to some of the others, a more even match. The video AF tracking results were extremely disappointing; the camera had great difficulty tracking a subject moving at any speed. Because our SLRgear lens testing involves cross-calibration between bodies by shooting with a "calibration lens", we can't directly calibrate results for the RX1's lens against those tested on other cameras. The images that the The cheapest full-frame SLR you can buy these days is either the Canon 6D or Nikon D600, depending on who's bundling what or sneaking under the MAP price on any given day. The Sony Cyber-shot DSC-RX1R is a new version of last year's RX1 with the optical low-pass filter removed, promising increased resolution but at the risk of increased moire effects. It's official: you can go ahead and think of "RX" as code for Rex, because the King of Compact Cameras is here. There's also almost no chroma noise, so high-ISO shots look great when enlarged. Taking white balance as an example, it has all the white balance settings you could ask for, including no less than four different settings for fluorescent lighting, three separate custom settings, and the ability to apply manual adjustments to every setting separately, using the by now familiar cyan-red/green-magenta (A-B/G-M) color map. Users can select the anti-aliasing level between off, standard and high, or even choose to bracket the effect to see how much anti-aliasing they need when reviewing the images. Unfortunately, the EVF stills falls prey to the dynamic range limitation it shares with every other EVF I've ever looked through. The RX1 retains more detail in the mosaic label, and its contrast increases (or else the exposure is simply darker), but both images are very close. I've always been a big fan of buttons rather than menu controls, but the flexibility of the Sony RX1's control system took it to a whole new level for me. And neither is the Sony RX1R II’s design. Removing AA filters seems to be very fashionable at present. ISO 1,600 prints look very good at 16 x 20, with nice detail and color renditioning for ISO 1600, even slightly out-performing its DSLR brother the A99 here by 1 print size. Certainly the pink swatch includes a clear thread pattern, though the D600 gets the pink closer to right. The Sony RX1 is literally the size of some larger digicams, yet sports a full 36x24mm (well, almost, at 35.8×23.9mm), 24-megapixel sensor, and one of the best lenses we've yet seen on a fixed-lens camera. For more advanced audio recording features, the only choice for advanced shooters will be to use an external audio recorder and sync the audio track in post production. The pink swatch of the NEX-7 looks terrible. Featured 6 Months With The Sony RX1 By Simi Tometi January 23, 2015 83. Nikon's D600 leaves behind a bit more luminance and chroma noise, following Nikon's generally more conservative approach to noise suppression, and as a result maintains more detail in the red leaf swatch than the RX1. In this case it's what the D800's noise suppression does to some fine detail, particularly the mosaic image. ISO 1,600 starts to undo the mystique of the A99, possibly due to the translucent mirror technology in the A99, which likely reduces the ISO sensitivity by a third of stop or so. Rear monitor. Then there's the matter of a lens. RX1. It's no surprise that the 36-megapixel Nikon D800 out-resolves the RX1 at low ISO, but the D800's smaller pixels exact a price at higher ISOs, where the balance tips in favor of the RX1 again. For the more advanced shooter wishing to use an external microphone, the RX1 has a 3.5mm microphone jack located on the left side of the camera. Holy Supercameras. The lens has a focal length of 35 mm and aperture f/2. The only trick with this off-focus workaround is to blur things slightly enough so you don't end up with an over-soft image. Eventually, before the birth of APS (Advanced Photo System) film cameras, a wide array of pocket cameras evolved that used 35mm and delivered excellent image quality for the masses, not just photography buffs. You'd certainly hope for quality construction in a camera retailing for $2,800, but it's nice to see that expectation met, and it was a joy to experience, after handling hundreds (and hundreds) of lesser cameras built to meet lower price points. Once I got over the embarrassment, I quickly came to love the physical EV adjustment dial, but was surprised to find myself wishing for a rear-panel aperture adjustment. Here's an example: My first real outing with the camera was in San Francisco, where the tall buildings resulted in a lot of tall/narrow subjects, but where street-level shooting subjects better fit the camera's native 3:2 aspect ratio. The decision to brand it as a Cyber-shot is particularly brave. In earlier attempts at this test, the RX1 never locked onto the special focus target at all. The Sony RX1 can also record Full HD at up to 60p. Just as the lens freed me from worrying about staying in its sweet spot, the Sony RX1's super-clean high ISO files meant I could by and large stop worrying about ISO as well. The lack of labelled default functions meant that the RX1 immediately confronted me with the question of what I wanted the controls to do. If you just pan slowly while filming, you're not likely to notice it much at all. The RX1's audio capabilities are very similar to those of the popular NEX-7. The camera has a 1,229,000 pixel screen of 7.5 cm diagonal. Continuous movie recording is limited to approximately 29 minutes regardless of file format, and the maximum movie file size is 2GB. The first thing that hit me when I saw the Sony RX1 for myself was just how small it is. Sony priced it at $2,800 because it's the only point-and-shoot with a 24 x 36mm sensor (Barnack or "Full-Frame" size).Its lens does not zoom, the camera has no image stabilization (except for video, done electronically just … is that the RX1R lacks an anti-aliasing filter on its 24MP CMOS sensor. Needing to find the "sweet spot" of the lens became a non-issue. Sony's original RX1 was a groundbreaking camera when it was announced in late 2012. The virtues of full frame at high ISO are shown once again when comparing the RX1 to the NEX-7, where the mosaic label's detail suffers particularly. Sony Cyber-shot RX1 Hands-on - we take a look at Sony's new full-frame 24MP full-frame compact camera. A separate lens ring is used to switch into macro-focus mode. The 13 creative styles provide a wider range of options than found in most cameras, with settings for things like high-key and low-key shots, as well as the conventional Portrait, Landscape, and Sunset settings. 6 Months With The Sony RX1 By Simi Tometi Hello Steve, Brandon, and fellow site readers. As noted earlier, though, many of the exposure settings and adjustments are chosen for you automatically by the camera unless you're in the dedicated Movie Mode. In our testing, it rarely tracked moving objects, even very slow-moving ones, and when it did manage to acquire focus it did so painfully slowly. This is "Sony Cyber-shot DSC-RX1 test" by CNET Asia on Vimeo, the home for high quality videos and the people who love them. It inherits the same basic body shape and ZEISS 35mm F2 lens as its predecessors, the RX1 and RX1R, but almost … The Sony Cyber-shot DSC-RX1 and the Sony Cyber-shot DSC-RX1R are two enthusiast cameras that were announced, respectively, in September 2012 and June 2013. Now it is time to look at the Sony RX1 competitors in more detail. The Sony RX1 seems better compared to the very sharp Sony NEX-7. That's what happened in several cases while printing the RX1's images. Both cameras offer a resolution of 24 megapixels. The Sony Cyber-shot DSC-RX1 is a full-frame compact camera with a fixed 35mm F2 lens. At $450 list price, it isn't cheap, but it's not out of line with the cost of the camera itself, and it is indeed a very high-quality EVF. The resolution is just incredible, which to some extent mitigated my dismay over the lack of a zoom lens. 1080/60p video recording; Wi-Fi with NFC; Though the RX1R II bears more than a passing resemblance to its predecessor, there are a lot of changes. These shots were captured with the camera on a tripod, looking at our flash range/uniformity target. The camera has a 1,229,000 pixel screen of 7.5 cm diagonal. With shading compensation off. Sony priced it at $2,800 because it's the only point-and-shoot with a 24 x 36mm sensor (Barnack or "Full-Frame" size).Its lens does not zoom, the camera has no image stabilization (except for video, done electronically just … We'd been expecting a super-pro digital SLR above the A99 (a camera we'd already seen, which was announced simultaneously), but we didn't expect a camera that would make all the early Sony RX100 buyers utter a few expletives of their own. Given these comparisons, you could make the argument that the Sony RX1 is actually bargain priced. The Sony Cyber-shot RX1R doesn't replace its near-clone the RX1, but sits alongside it at the top of Sony's Cyber-shot lineup. The camera's stellar capabilities and handling let me get the shots I wanted with very little fuss, and very little thought about the camera itself. The front of the Sony RX1 is pleasantly simple, with a small leather-like grip, a bold but simple product name and an AF-assist lamp. I could certainly snap a shot single-handed, but found myself using a two-handed grip almost all the time: Pretty much all of the controls are on the right side, so you'll find yourself supporting the camera with your left hand while you make adjustments with your right, and of course, you'll use your left hand to make any aperture adjustments anyway. Neither passed the walking-subject test. 3 of the 4 directions on the dial are user-customizable. The only audio options available are to disable audio recording altogether or to switch on a Wind Noise Reduction filter. Sharp, distortion- and chromatic aberration-free view ( Type-D ) output that Sony 's Alpha and NEX lineup a of! 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